Shifting between modes of thought: a domain-general creative thinking skill?

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dc.contributor.author Pringle, Andrew
dc.contributor.author Sowden, Paul T.
dc.contributor.author Deeley, Carys
dc.contributor.author Sharma, Sarika
dc.date.accessioned 2017-05-19T12:25:53Z
dc.date.available 2017-05-19T12:25:53Z
dc.date.copyright 2016 International Conference on Knowledge, Innovation and Enterprise and the Authors en
dc.date.issued 2016-06-24
dc.identifier.isbn 9781859242766
dc.identifier.uri http://hdl.handle.net/10197/8528
dc.description 2016 KIE International Conference on Knowledge, Innovation and Enterprise, Berlin, Germany, 21-24 June 2016 en
dc.description.abstract The darker shades of creativity have recently attracted great interest because negative and malevolent creativity are found in multiple domains. It is easier to conceive of creative acts that meet negative goals as uncreative, primarily because of their immor-al and unethical nature. However, a complete understanding of the creativity construct may be obtained by assessing it within a valenced framework, wherein each compo-nent of creativity is positive or negative. In this qualitative account of malevolent creativity, we review manifestations of such creativities in the contexts of art, science, and technology. That is, original and subjectively useful actions taken by actors in each of these domains, which meet negative goals, with the deliberate intent to harm another individual or society at large. First, a brief review of literature in the areas of dark, negative, and malevolent creativity is presented. Second, qualitative accounts of malevolent creativity in art (forgery), science (academic dishonesty), and technology (cybercrime) are analyzed through D. H. Cropleys (2010) framework integrating valence and Rhodes (1961) four Ps model of creativity. Each domain is first exam-ined independently; subsequently, attempts are made to identify commonalities under-lying malevolent creative behaviours across domains. Suggestions for future research in this emerging subfield of creativity are provided. en
dc.language.iso en en
dc.publisher KIE Conference Publications en
dc.relation.ispartof Reisman, F. (eds.). 2016 KIE Conference Publications: Creativity in Arts, Science and Technology Research Papers on Knowledge, Innovation and Enterprise Volume IV en
dc.subject Mode shifting en
dc.subject Creative cognition en
dc.subject Domain specificity en
dc.subject Metacognition en
dc.subject Creativity training en
dc.title Shifting between modes of thought: a domain-general creative thinking skill? en
dc.type Conference Publication en
dc.internal.webversions http://www.conference.kiecon.org/publications/
dc.status Peer reviewed en
dc.identifier.startpage 220 en
dc.identifier.endpage 259 en
dc.neeo.contributor Pringle|Andrew|aut|
dc.neeo.contributor Sowden|Paul T.|aut|
dc.neeo.contributor Deeley|Carys|aut|
dc.neeo.contributor Sharma|Sarika|aut|
dc.date.updated 2016-12-13T13:09:19Z


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