Now showing 1 - 3 of 3
  • Publication
    Creating an Evidence-Based Digital Curation Curriculum for Ireland: Case Study at University College Dublin
    (Library Association of Ireland, 2016-10) ;
    Digital curation is an ongoing set of processes for selecting, preserving, archiving describing, and sharing born-digital and digitised resources, such as documents, data, photos, sound, and film.  The importance of digital curation for identifying and preserving digital materials for the future is of increasing importance to cultural and commercial institutions. Although digital curation as a profession is still in its infancy, library and information professionals are increasingly tasked with meeting these demands.  In this article, the authors briefly outline digital curation as a practice, discuss digital curation in the Irish context, and describe how University College Dublin's School of Information and Communication Studies new educational initiatives in digital curation are addressing these challenges.
      595
  • Publication
    Digital curation on a small Island: a study of professional education and training needs in Ireland
    (Taylor & Francis, 2018-02-12) ;
    In this paper, we use the case study method to understand digital curation knowledge, skills, needs and challenges in Ireland, in order to direct the development of postgraduate digital curation educational programmes. Data was collected in three intervals over a two-year period: a web questionnaire about digital curation knowledge and skills and interest in continuing professional development (CPD); nine interviews with individuals who engaged in digital curation work about workplace challenges and CPD education; and a final online questionnaire about preferences for digital curation CPD education. Findings suggest that Ireland-specific issues emerged: (a) because there is so little understanding about digital curation in Ireland, even among information professionals, individuals were not always sure when they were doing digital curation work and if they needed to learn more and; (b) individuals were often the only ones in their institutions with digital curation skills and found themselves struggling to educate supervisors and colleagues about the necessity of their work as well as the resources needed to conduct their work. Considering these findings, comprehensive postgraduate digital curation education in Ireland would need to include a focus on these issues.
      482Scopus© Citations 4
  • Publication
    “We've no problem inheriting that knowledge on to other people”: Exploring the characteristics of motivation for attending a participatory archives event
    (Elsevier, 2018-04)
    While cultural heritage institutions increasingly use participatory events to draw in new audiences, little is known about what motivates participants to attend these events. Twenty semi-structured interviews with 29 individuals who attended one of three Inspiring Ireland 1916 public collection days were conducted in order to explore participants' motivations for attending the event and perceived benefits. A participatory archives event, the collection days invited members of the public to bring relevant possessions to be digitally captured and have their story of the item recorded. The stories and items were then made available on the Inspiring Ireland website commemorating the centenary of the 1916 Easter Rising in Dublin, Ireland. While participatory initiatives have enjoyed increasing attention in the archives literature of late, much of this work attempts to define terms or model behaviours from the perspective of the archivists. Little existing work attempts to explore the motivations of individuals to participate in these events using empirical methods. Findings suggest motivations for attending a collection day can be characterised across four characteristics that can be categorised as aligning with individual or communal perception of benefits: A) to share their story and provide evidence in order to influence the contemporary narrative of the Rising (individual benefit), B) to relieve the burdens of preservation and remembering (individual benefit), C) to find out more about the object or context of the object (individual benefit), and D) to share their object via the open access features of the Inspiring Ireland website as a way to fulfil a civic duty and support a public good (communal benefit). These findings contradict existing literature about the purpose for engaging in participatory initiatives (to pluralise collections) and assumptions about why individuals are motivated to engage (altruistic, intrinsic motivation). Further exploration of the concept of communal versus individual perceived benefit could influence the ways in which cultural heritage institutions justify their role in society. The concept of an archival user is evolving. Understanding how participation can be considered use will help institutions develop a more holistic understanding of use in contemporary settings.
      399Scopus© Citations 3