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'Headless Rome' and Hungry Goths: Herodotus and Titus Andronicus
Author(s)
Date Issued
2013-12
Date Available
2016-07-05T11:41:50Z
Abstract
This essay argues for the intertextual contribution of Book I of Herodotus's Histories to Titus Andronicus. Translated by B.R. in 1584, Herodotus’ account of the rise and fall of the founder of the ancient Persian empire, Cyrus the Great, holds topical resonances for the first audiences of Shakespeare's Roman play, resonances that the play seems to invite. Modeling Tamora on Herodotus' Tomyris and borrowing crucial elements of plot from the narratives surrounding Cyrus, Shakespeare's most productive response to Herodotus is his adaptation of the figure of the 'swallowing womb' from the well-known Herodotean account of Tomyris' revenge on Cyrus. Through it, Shakespeare explores the contentious and topical subjects of female rule and England's imperial aspirations. The essay further explores possible connections between Tamora and Queen Elizabeth through their shared iconography in the mold of the just avenger, Tomyris. Ultimately, I argue, the Herodotean allusions facilitate a position sympathetic to the Goths in the play, one that tackles the dominance of Roman cultural models in late-sixteenth-century English culture, and that responds defiantly to the vexed and embarrassing subject of Britain's own barbarian history as a colony of Rome.
Type of Material
Journal Article
Publisher
Wiley
Journal
English Literary Renaissance
Volume
43
Issue
1
Start Page
30
End Page
61
Copyright (Published Version)
2013 the Authors
Subjects
Subject – LCSH
Shakespeare, William, 1564-1616
Herodotus
Language
English
Status of Item
Peer reviewed
This item is made available under a Creative Commons License
File(s)
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Name
ELR_Titus_-_for_repository.pdf
Size
349.83 KB
Format
Adobe PDF
Checksum (MD5)
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