Heads: Philip Lorca diCorcia and the Paradox of Urban Portraiture

DC FieldValueLanguage
dc.contributor.authorCampbell, Hugh-
dc.date.accessioned2014-10-15T08:57:19Z-
dc.date.available2014-10-15T08:57:19Z-
dc.date.issued2008-09-24-
dc.identifier.isbn9780415415071-
dc.identifier.urihttp://hdl.handle.net/10197/6047-
dc.description.abstractThe golden age of street photography, as practiced by such masters as William Klein and Garry Winogrand, is commonly agreed to have ended by the 1970s. However, in recent years, the hectic arena of the city street has begun to be revisited by a new generation of photographers. Informed by the formal poise and cool detachment which has characterised so much photography in the intervening years, these artists engage with the street in less direct ways than their predecessors: where Winogrand and Klein plunged in, they prefer to maintain their distance.en
dc.language.isoenen
dc.publisherRoutledgeen
dc.relation.ispartofDi Palma, V., Periton, D. and Latouri, M. (eds.). The Intimate Metropolis: Urban Suspects in the Modern Cityen
dc.subjectStreet photographyen
dc.subjectPhotography--Historyen
dc.titleHeads: Philip Lorca diCorcia and the Paradox of Urban Portraitureen
dc.typeBook Chapteren
dc.internal.authorcontactotherhugh.campbell@ucd.ie-
dc.internal.availabilityFull text availableen
dc.internal.webversionshttp://www.routledge.com/books/details/9780415415071/-
dc.statusNot peer revieweden
dc.neeo.contributorCampbell|Hugh|aut|-
dc.description.adminThis chapter is to be taken down if author leaves the University as part of the permission granted by the publisher - MEL 07/10/2014en
dc.internal.rmsid5983475-
dc.date.updated2014-09-08T22:25:19Z-
item.grantfulltextopen-
item.fulltextWith Fulltext-
Appears in Collections:Architecture, Planning and Environmental Policy Research Collection
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