Shifting between modes of thought: a domain-general creative thinking skill?

DC FieldValueLanguage
dc.contributor.authorPringle, Andrew
dc.contributor.authorSowden, Paul T.
dc.contributor.authorDeeley, Carys
dc.contributor.authorSharma, Sarika
dc.date.accessioned2017-05-19T12:25:53Z
dc.date.available2017-05-19T12:25:53Z
dc.date.copyright2016 International Conference on Knowledge, Innovation and Enterprise and the Authorsen
dc.date.issued2016-06-24
dc.identifier.isbn9781859242766
dc.identifier.urihttp://hdl.handle.net/10197/8528
dc.description2016 KIE International Conference on Knowledge, Innovation and Enterprise, Berlin, Germany, 21-24 June 2016en
dc.description.abstractThe darker shades of creativity have recently attracted great interest because negative and malevolent creativity are found in multiple domains. It is easier to conceive of creative acts that meet negative goals as uncreative, primarily because of their immor-al and unethical nature. However, a complete understanding of the creativity construct may be obtained by assessing it within a valenced framework, wherein each compo-nent of creativity is positive or negative. In this qualitative account of malevolent creativity, we review manifestations of such creativities in the contexts of art, science, and technology. That is, original and subjectively useful actions taken by actors in each of these domains, which meet negative goals, with the deliberate intent to harm another individual or society at large. First, a brief review of literature in the areas of dark, negative, and malevolent creativity is presented. Second, qualitative accounts of malevolent creativity in art (forgery), science (academic dishonesty), and technology (cybercrime) are analyzed through D. H. Cropleys (2010) framework integrating valence and Rhodes (1961) four Ps model of creativity. Each domain is first exam-ined independently; subsequently, attempts are made to identify commonalities under-lying malevolent creative behaviours across domains. Suggestions for future research in this emerging subfield of creativity are provided.en
dc.language.isoenen
dc.publisherKIE Conference Publicationsen
dc.relation.ispartofReisman, F. (eds.). 2016 KIE Conference Publications: Creativity in Arts, Science and Technology Research Papers on Knowledge, Innovation and Enterprise Volume IVen
dc.subjectMode shiftingen
dc.subjectCreative cognitionen
dc.subjectDomain specificityen
dc.subjectMetacognitionen
dc.subjectCreativity trainingen
dc.titleShifting between modes of thought: a domain-general creative thinking skill?en
dc.typeConference Publicationen
dc.internal.webversionshttp://www.conference.kiecon.org/publications/-
dc.statusPeer revieweden
dc.identifier.startpage220en
dc.identifier.endpage259en
dc.neeo.contributorPringle|Andrew|aut|-
dc.neeo.contributorSowden|Paul T.|aut|-
dc.neeo.contributorDeeley|Carys|aut|-
dc.neeo.contributorSharma|Sarika|aut|-
dc.date.updated2016-12-13T13:09:19Z
dc.rights.licensehttps://creativecommons.org/licenses/by-nc-nd/3.0/ie/en
item.grantfulltextopen-
item.fulltextWith Fulltext-
Appears in Collections:Insight Research Collection
Files in This Item:
 File SizeFormat
Downloadinsight_publication_kie2016.pdf1.57 MBAdobe PDF
Show simple item record

Page view(s)

1,402
Last Week
2
Last month
14
checked on Jun 25, 2022

Download(s)

118
checked on Jun 25, 2022

Google ScholarTM

Check

Altmetric


If you are a publisher or author and have copyright concerns for any item, please email research.repository@ucd.ie and the item will be withdrawn immediately. The author or person responsible for depositing the article will be contacted within one business day.