Now showing 1 - 10 of 16
  • Publication
    Novel2Vec: Characterising 19th Century Fiction via Word Embeddings
    Recently, considerable attention has been paid to word embedding algorithms inspired by neural network models. Given a large textual corpus, these algorithms attempt to derive a set of vectors which represent the corpus vocabulary in a new embedded space. This representation can provide a useful means of measuring the underlying similarity between words. Here we investigate this property in the context of annotated texts of 19th-century fiction by the authors Jane Austen, Charles Dickens, and Arthur Conan Doyle. We demonstrate that building word embeddings on these texts can provide us with an insight into how characters group differently under different conditions, allowing us to make comparisons across different novels and authors. These results suggest that word embeddings can potentially provide a useful tool in supporting quantitative literary analysis.
      1344
  • Publication
    Waking the Dead: Antigone, Ismene and Anne Enright's Narrators in Mourning
    (Irish Academic Press, 2011-10-31)
    Reflecting in 2008 on the link between her groundbreaking work on gender and her more recent work on war, Judith Butler proposed a relationship between liveable and grievable lives: 'it is very often a struggle to make certain kinds of lost life publicly grievable'. This essay takes Butler's exploration of the 'politics of mourning' as its starting place for a reading of The Gathering and of the short story, 'My Little Sister' from Taking Pictures.
      1105
  • Publication
    History Gasps: Myth in Contemporary Irish Women's Poetry
    (Colin Smythe, 1995-09-27)
    Recent years have seen a very rapid development in women's poetry in Ireland, a development which is part of a much wider one in women's writing and culture. The prevalence of poetry and the relative scarcity of prose in this movement is specific to Ireland and a significant departure from the pattern elsewhere. The strength of the tradition of women's fiction and the fragmentary nature of the tradition in poetry have tended to produce first an increasingly self-conscious feminist fiction, then an upsurge of women's poetry which attempts to re-define the poetic tradition and women's relation to it.
      640
  • Publication
    Discovering Structure in Social Networks of 19th Century Fiction
    Inspired by the increasing availability of large text corpora online, digital humanities scholars are adopting computational approaches to explore questions in the field of literature from new perspectives. In this paper, we examine detailed social networks of characters, extracted from several works of 19th century fiction by Jane Austen and Charles Dickens. This allows us to apply methodologies from social network analysis, such as community detection, to explore the structure of these networks. By evaluating the results in collaboration with literary scholars, we find that the structure of the character networks can reveal underlying structural aspects within a novel, particularly in relation to plot and characterisation.
      709Scopus© Citations 10
  • Publication
      503
  • Publication
    Sex and Nation Women in Irish Culture and Politics
    (Attic Press, 1991)
    The aim of this pamphlet is to challenge the assumptions made by and about the women's movement in Ireland. It is to some extent a retrospective exercise, an attempt to analyse and respond to some of the ideas put forward in previous pamphlets in this series. It is, more importantly, an attempt to suggest directions in which Irish feminism can move in the future, an attempt to learn from the reverses and successes of the 1980s and to identify opportunities which will be available to Irish feminism in the 1990s.
      12018
  • Publication
    Long Day's Journey into Night: Modernism, Post-Modernism and Maternal Loss
    (Chelsea House, 2009)
    Long Day's journey into Night may seem a strange starting place for a feminist analysis of modernism and post-modernism. Yet even the most conservative criticism reads this play as an enactment and embodiment of loss, specifically loss of the mother. That loss is rarely seen in the context of a more general "loss", a cultural loss of legitimacy and authenticity, endemic in and enabling modernism, articulated as "disinheritance" by an Other "coded as feminine."
      7890